Close Menu
Babmsr.Babmsr.
  • Home
  • Upper Egypt
  • Lower Egypt
  • Greater Cairo
  • Analysis
  •  Videos
  • About
    • Contact US
    • Editorial Policies
    • Anti-Harassment Policy
    • Advertising Policies

Subscribe to Updates

Get the latest creative news from FooBar about art, design and business.

What's Hot

The Woven Skeleton: The Palm Frond Artisans of Kafr Al-Battikh Fend Off a Plastic Tide

May 14, 2026

The Tragedy of Azbakia and Imam Al-Shafi’i: How Architecture Rewrites Our History

May 14, 2026

The Sanctuary of Saint Bishoy: A Living Ledger of Egyptian Monasticism

May 13, 2026
Facebook X (Twitter) Instagram
Facebook X (Twitter) Instagram YouTube LinkedIn
Babmsr.Babmsr.
Contact US
  • Home
  • Upper Egypt
  • Lower Egypt
  • Greater Cairo
  • Analysis
  •  Videos
  • About
    • Contact US
    • Editorial Policies
    • Anti-Harassment Policy
    • Advertising Policies
Babmsr.Babmsr.
Home»Upper Egypt»At 80, With Failing Eyes and a Fire That Never Dies: The Last Blacksmith of Luxor Won’t Quit
Upper Egypt

At 80, With Failing Eyes and a Fire That Never Dies: The Last Blacksmith of Luxor Won’t Quit

Abo Elhasan Abd ElsattarBy Abo Elhasan Abd ElsattarMarch 31, 2026No Comments4 Mins Read0 Views
Facebook Twitter Pinterest LinkedIn Tumblr Email
Blacksmithtop
Blacksmithtop
Share
Facebook Twitter LinkedIn Pinterest WhatsApp Email

For 70 years, Abdo Hassan has shaped iron by hand in his Luxor workshop. At 80, he works through eye damage and exhaustion, driven by a simple belief: better to work than to sit idle. His only wish now is to perform Umrah before it’s too late.

Amid the roar of flames, the searing heat, the glowing iron, and eyes worn down by exhaustion, sits “Uncle Abdo” from Luxor. The lines of age are etched deep on his face. He holds a piece of iron, thrusting it into the fire until it glows, then shapes it into tools for the fields, for homes, for barns. He repairs old pieces brought by customers who pay him little. But he has grown used to work, to hardship, to anything but idleness.

Heating Iron in the Heart of the Fire

Abdo Hassan is 80 years old. He has worked as a blacksmith since he was ten. He inherited the craft from his father, one of the most famous blacksmiths in Armant, south of Luxor. He makes sickles, axes, shears, and iron rings used to tether livestock.

“I make various iron tools,” he says. “Sometimes I repair damaged parts by heating the iron in the fire, shaping it into whatever is needed. Whether it’s shears or sickles for farmers, or other iron tools.”

His busiest seasons are planting and harvest, when demand rises for sickles and axes, as well as small iron rings for livestock. Farmers bring him their specific needs, and he makes what they ask for.

He rises with the first light of dawn. He fires up the forge, waiting until the heat is right, then places the iron in the flames. By midday, he stops. Age has taken its toll, and he can no longer work long hours. He rests from the heat, eats lunch, and lets his body recover.

Blacksmith2
Abdo the blacksmith. Photo credit: Abulhassan Abdel Sattar

How He Makes Iron Tools

The process begins with raw iron, bought by the kilogram. He heats it in the koor, the traditional forge. A motor blows air into the coals, raising the temperature until the iron glows white and becomes pliable. Then he hammers it into shape. The time varies. A pair of shears might take an hour and a half. Larger tools take longer.

Working in the Heart of the Fire

Despite his 80 years, despite the toll age has taken, Abdo refuses to sit idle. “This is better than lying against a wall doing nothing,” he says.

The thick smoke from the forge has damaged his eyes. They are red, swollen, strained. He has had four surgeries, with little improvement. “My eyes hurt me, I swear,” he says. “I went to the doctor, had four operations, but no use.”

When asked why he does not wear protective goggles, he shrugs. “I got used to working this way. I don’t know how to wear glasses. I never got used to them. Today or tomorrow, I’ll die anyway. It doesn’t matter. God will decide what’s best, God willing.”

Blacksmith3
Abdo the blacksmith. Photo credit: Abulhassan Abdel Sattar

Abdo’s One Wish: To Perform Umrah

His only dream is to visit the House of God, to perform Umrah or Hajj. But bureaucratic obstacles have blocked him. Paperwork related to military service has prevented him from traveling, despite repeated attempts.

His eyes fill with tears as he speaks. “I tried to arrange travel for Umrah or Hajj, but I couldn’t. Visiting the holy sites is a matter of fate and destiny. If it’s meant for me, God will bring it. There’s a problem with my papers.”

His son, Mohamed, explains the situation. For about three years, the passport office in Luxor has refused to issue his father a passport. The reason is that Abdo’s military service status cannot be confirmed. They traveled to Qena Governorate to obtain a certificate from the military records office, but searches through the old archives yielded nothing.

Abdo’s old identification card did not indicate his military status. When the card was updated to the new system, the information remained unchanged. Without confirmation of his military status, he cannot obtain a passport. And without a passport, he cannot travel to Saudi Arabia to perform Hajj or Umrah. He has spent 70 years shaping iron with his hands. All he asks now is for someone to help him shape a way to Mecca.

Abdo Hassan blacksmith dying crafts Egypt Egyptian agricultural tools handmade iron tools Luxor craftsmen Traditional blacksmithing Egypt
Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
Previous ArticleMussolini’s Architectural Message in Egypt: The Fascist Symbol Hidden in Plain Sight in Port Said
Next Article How a Card Game Inspired by South Sudanese Cuisine Is Building Bridges in Alexandria
Abo Elhasan Abd Elsattar

Related Posts

The Sanctuary of Saint Bishoy: A Living Ledger of Egyptian Monasticism

May 13, 2026

Shadows Over the Nile: Concrete Construction Spark Criticism Beneath the Temple of Kalabsha

May 13, 2026

The Last Cobblers of Luxor: A Craft Contesting the Modern Tide

May 10, 2026

Comments are closed.

Demo
Latest Posts

The Woven Skeleton: The Palm Frond Artisans of Kafr Al-Battikh Fend Off a Plastic Tide

May 14, 20264 Views

The Tragedy of Azbakia and Imam Al-Shafi’i: How Architecture Rewrites Our History

May 14, 20266 Views

The Sanctuary of Saint Bishoy: A Living Ledger of Egyptian Monasticism

May 13, 20266 Views

Shadows Over the Nile: Concrete Construction Spark Criticism Beneath the Temple of Kalabsha

May 13, 20267 Views
Stay In Touch
  • Facebook
  • Twitter
  • Pinterest
  • Instagram
  • YouTube
  • Vimeo
Don't Miss

Shadows Over the Nile: Concrete Construction Spark Criticism Beneath the Temple of Kalabsha

By Bab MasrMay 13, 2026

A controversy erupts in Aswan as new concrete structures at the Temple of Kalabsha spark…

The Tragedy of Azbakia and Imam Al-Shafi’i: How Architecture Rewrites Our History

May 14, 2026

The Sanctuary of Saint Bishoy: A Living Ledger of Egyptian Monasticism

May 13, 2026

Subscribe to Updates

Get the latest creative news from SmartMag about art & design.

Demo
– Bab Masr is the first journalistic platform in the Arab region dedicated to the preservation of Egypt’s local tangible and intangible heritage.

– Bab Masr covers events and activities related to heritage, culture, and the arts through objective stories and reports that convey the full picture.

– Bab Masr opens channels of partnership, cooperation, and networking among all local, regional, and international stakeholders concerned with heritage preservation.

© Copyright 2026, All Rights Reserved | Moussa Adel